Is there any proper ProRes converter to transcode Apple ProRes 422, ProRes 4444 on Mac/Win?
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- Apple Prores 422 Hq Codec Download Mac
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As is known to all, ProRes is a codec developed by Apple Inc., which provides an unparalleled combination of multistream, real-time editing performance, impressive image quality, and reduced storage rates. It was first introduced in 2007 with Final Cut Studio 2. Actually, ProRes is the best video format supported by FCP 7 and FCP X for video editing. After all, rendering H.264 on Final Cut Pro may more or less degrade video image quailty, but ProRes will ensure a smooth editing process with highest quality. If you care more about the video quality and the efficiency of editing, it's necessary to convert MTS, AVCHD, MKV and more videos shot by camcorders to ProRes for editing on Final Cut Pro.
Solved: Would anybody know anything about downloading Apple ProRes 422 presets into premier, so you can actually use them in a project as a sequence setting? That can be played simultaneously for Apple ProRes RAW HQ and Apple ProRes RAW on a 28-core Mac Pro. Apple ProRes 4444 and Apple ProRes 422 HQ are included for comparison. ProRes RAW ProRes 422 HQ ProRes 4444 0 3 6 9 12 Mac Pro – Final Cut Pro Multistream Playback DCI 4K 59.94p ProRes RAW HQ 12 12 11 5.
- Re: Need Pro Res 422 (HQ) codec for Windows 7. Sat Mar 16, 2013 3:07 am. Apple intentionally deny Prores encoding under Windows in Quicktime. It's not an option in Resolve at Apples behest I'd suspect. Luckily some individuals have reverse engineered Prores, discovering it's just common standards re-jigged so nothing else will play them.
- Jul 20, 2021 ProRes RAW data rates generally fall between those of ProRes 422. Blackmagic RAW in Avid and Premiere Pro. Mac Pro Afterburner: Editors' Dream but Only for ProRes and ProRes RAW. Dec 14, 2018 — Since I don't have a Mac, is there a way to render Prores on Windows. Download and install ProRes encoder. You export Avid Medi.
On the other hand, comparing to H.264/AVCHD, Apple ProRes delivers a crazy big size of videos, especially in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ. For example, I've been edit a 30 minutes video (less than 6GB) in Final Cut Pro, yet getting a 130GB with 26 videos after rendering ProRes finally. horrible! Worse still, PreRes videos has poor compatibility, which only supports watching on QuickTime Player and VLC currently. Thus, if you get some videos in ProRes codec and want to play them on your iPhone iPad Android devices or other media players, you need an Apple ProRes converter to convert ProRes to MP4, MOV, FLV, AVI, etc.
Best Apple ProRes Converter to Easily Decode/Encode Apple ProRes Video Files
To transcode Apple ProRes video files, you need an efficient ProRes video converter like MacX Video Converter Pro which is able to effortlessly tackle with any ProRes video conversion task. To be specific, it has many excellent features:
- Support importing/exporting all types of ProRes codecs like Apple ProRes 4444, ProRes 422 (HQ), ProRes 422, ProRes 422 (LT), and ProRes 422 (Proxy).
- Convert any format video to/from Apple ProRes with no quality loss, for example, convert MXF to ProRes 4444, H.264 to ProRes 422, AVCHD to ProRes 4444, AVI to ProRes 422, MP4 to ProRes 4444, ProRes to MOV, ProRes to MKV, ProRes to MP4, ProRes to iPhone, ProRes to iPad, etc.
- Edit ProRes video by clipping video, cropping frame size to remove the black bars, merging separate videos into a new one, adding watermark to personalize your videos and more.
- 5X faster speed to transcode ProRes and any videos, thanks to the application of multi-core CPU utility, hyper-threading tech and Intel Quick Sync Video hardware acceleration tech.
- Download videos free from 1000+ online video sharing sites like Facebook, Yahoo, Dailymotion, Vimeo, Vevo, Metacafe, Myspace and many more.
To begin with Apple ProRes video conversion, you should download this best ProRes converter Mac on your Mac computer (macOS Big Sur/High Sierra incl.); if you are a Windows user, you are suggested to download Windows version (Win 10 supported). Then follow the below step-by-step guide to decode & encode ProRes video files.
Guide One: How to Decode ProRes to MP4, MOV, AVI, FLV, etc for Playback with Ease
Step 1: Fire up this software for Mac/Win and click 'Video' icon on the main interface to get access of video conversion. Then click '+ Video' button or drag and drop to add ProRes video files. BTW, it supports converting video files in batch so that you can add more than one ProRes video at a time.
Step 2: Click the 'Target Format' button on the lower left corner. Go General Profiles > MP4 Video (H.264) to choose MP4 as output. The same step goes to choose MOV, AVI, FLV, MKV as an output format.
Note: you also can directly choose iPhone XR/XS/XS Max, iPhone x/8/7/7 Plus/SE/6s/6s Plus, iPad Air 2, iPad Mini 4, iPad Pro, iPod, Apple TV 4, iTunes, iMovie, QuickTime, Samsung Galaxy S9 edge, HTC 10, etc other 420+ preset profiles for Apple and Android devices as output formats for playback with ease.
Step 3: Tap 'Browse' button to set the destination folder and click 'RUN' button to start to convert ProRes to MOV, MP4, iPhone, iPad, iMovie, etc on Mac/Win. Later, you can feel free to play those ProRes video on your iPhone iPad Android devices or even upload to YouTube, Facebook, Twitter, etc for sharing.
Guide Two: How to Encode ProRes Video from AVCHD, MTS, MKV, etc for Editing with iMovie & Final Cut Pro
Step 1: Open up the ProRes video converter, click Video icon and hit '+ Video' button to load ProRes video files.
Step 2: Choose ProRes as the output format. Go to Target Formats > Apple Device > to ProRes Video to choose any type of ProRes video as output format, be it ProRes 4444, ProRes 422HQ, ProRes 422, ProRes 422LT, ProRes 422 Proxy.
Note: this ProRes conversion tool also provides users standard iMovie video format and Final Cut Pro video presets to ease your conversion. But you'd better select the professional ProRes codec video to ensure the video quality. To enhance output file quality, you also can adjust video bit rate, frame rate, resolution, audio codec, sample rate or channels.
Step 3: Hit 'Browse' button to select an destination folder to save the converted ProRes video file and click 'RUN' button to start to convert AVCHD to ProRes 422 (*.mov), MTS to ProRes 4444 (*.mov), MKV to ProRes 422 (*.mov), MXF to ProRes, etc without sacrificing any quality.
1. For now, there are six types of Apple ProRes codecs including ProRes 4444XQ, ProRes 4444, ProRes 422 (HQ), ProRes 422, ProRes 422 (LT), and ProRes 422 (Proxy). And in April 2018, Apple released a new codec for Final Cut Pro X editing, named Apple ProRes Raw, which brings the same performance, quality, and ease of use introduced by Apple ProRes to raw media.
2. For online editing on powerful computer, Prores 422 HQ or Prores 422 are recommended; for offline editing on slow computer, Prores 422 Proxy and Prores 422 LT are recommended.
3. In addition to ProRes video conversion, this full-featured Apple ProRes converter also can easily convert among HD and SD videos, e.g. MKV to MP4, VOB to WMV, YouTube to MP3, H.265 to H.264, MTS to MP4, MP4 to MP3, AVI to iTunes, MKV to iPhone, YouTube to iPad, etc for playback with ease.
Apple Prores 422 Hq Codec Download Mac Download
- Apple ProRes 422 LT is a more highly compressed codec than Apple ProRes 422, with roughly 70 percent of the data rate and 30 percent smaller file sizes. This codec is perfect for environments where storage capacity and data rate are at a premium. The target data rate is approximately 102 Mbps at 1920x1080 and 29.97 fps.
- If you are running Premiere on a Mac computer, we would recommend choosing “Final Cut Pro” “Apple ProRes 422 (.mov)” as output format. The ProRes 422 codec will ensure a good balance between file size and file quality. This converter only outputs Apple ProRes files up to 1080p.
Apple ProRes 422: A high-quality compressed codec offering nearly all the benefits of Apple ProRes 422 HQ, but at 66 percent of the data rate for even better multistream, real-time editing performance. The target data rate of Apple ProRes 422 is approximately 147 Mbps at 1920 x 1080 and 29.97 fps. After recently updating Premiere on my Mac, none of the Apple ProRes 422 options are showing up when exporting under Quicktime. I haven't had this problem before and my footage was imported as ProRes 422 HQ. It supports playback of up to 3 streams of 8K Pro-Res RAW or 12 streams of 4K ProRes RAW. Adobe says that Premiere Pro supports decode acceleration of ProRes 4444 and 422 codecs using the.
All Apple ProRes codecs support all frame sizes (including SD, HD, 2K, 4K, and 5K) at full resolution. The data rates vary based on codec type, image content, frame size, and frame rate. Apple ProRes includes the following formats.
To bring the same performance, quality, and ease of use introduced by Apple ProRes to raw media, use Apple ProRes RAW. Learn more about ProRes RAW.
Apple ProRes 4444 XQ*
Apple ProRes 4444 XQ is the highest-quality version of Apple ProRes for 4:4:4:4 image sources (including alpha channels). This format has a very high data rate to preserve the detail in high-dynamic-range imagery generated by today’s highest-quality digital image sensors. Apple ProRes 4444 XQ preserves dynamic ranges several times greater than the dynamic range of Rec. 709 imagery. This holds true even against the rigors of extreme visual effects processing in which tone-scale blacks or highlights are stretched significantly. Like standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the alpha channel. Apple ProRes 4444 XQ features a target data rate of approximately 500 Mbps for 4:4:4 sources at 1920x1080 and 29.97 fps.
ProRes 4444 XQ is supported on OS X Mountain Lion v10.8 or later.
Apple ProRes 4444*
Apple ProRes 4444 is an extremely high-quality version of Apple ProRes for 4:4:4:4 image sources (including alpha channels). This codec features full-resolution, mastering-quality 4:4:4:4 RGBA color, and visual fidelity that is perceptually indistinguishable from the original material. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, with excellent multigeneration performance and a mathematically lossless alpha channel of up to 16 bits. This codec features a remarkably low data rate compared to uncompressed 4:4:4 HD. It has a target data rate of approximately 330 Mbps for 4:4:4 sources at 1920x1080 and 29.97 fps. It also offers direct encoding of and decoding to both RGB and Y’CBCR pixel formats.
Apple ProRes 422 HQ
Apple ProRes 422 HQ is a higher-data-rate version of Apple ProRes 422 that preserves visual quality at the same high level as Apple ProRes 4444 but for 4:2:2 image sources. With widespread adoption across the video post-production industry, Apple ProRes 422 HQ offers visually lossless preservation of the highest-quality professional HD video that a single-link HD-SDI signal can carry. This codec supports full-width, 4:2:2 video sources at 10-bit pixel depths, while remaining visually lossless through many generations of decoding and reencoding. The target data rate is approximately 220 Mbps at 1920x1080 and 29.97 fps.
Apple ProRes 422
Apple ProRes 422 is a high-quality compressed codec offering nearly all the benefits of Apple ProRes 422 HQ, but at 66 percent of the data rate for even better multistream, real-time editing performance. The target data rate is approximately 147 Mbps at 1920x1080 and 29.97 fps.
Apple ProRes 422 LT
Apple ProRes 422 LT is a more highly compressed codec than Apple ProRes 422, with roughly 70 percent of the data rate and 30 percent smaller file sizes. This codec is perfect for environments where storage capacity and data rate are at a premium. The target data rate is approximately 102 Mbps at 1920x1080 and 29.97 fps.
Apple ProRes 422 Proxy
Apple ProRes 422 Proxy is an even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. The target data rate is approximately 45 Mbps at 1920x1080 and 29.97 fps.
* Apple ProRes 4444 and Apple ProRes 4444 XQ are ideal for the exchange of motion graphics media because they are virtually lossless. They are also the only Apple ProRes codecs that support alpha channels.
ProRes has gained in popularity as an intermediate codec. All Apple ProRes codecs support any frame size (including SD, HD, 2K, 4K, and 5K) at full resolution. The data rates vary based on codec type, image content, frame size, and frame rate. Apple ProRes includes the following formats: Apple ProRes 4444 XQ, Apple ProRes 4444, Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes 422 LT and Apple ProRes 422 Proxy. Have some ProRes 422 MOV files and want to edit them in Premiere Pro CC? While this seems like a no-brainer it's a misconception that I've found with quite a few inexperienced video producers and filmmakers:
Can I edit ProRes 422 MOV in Premiere Pro CC? I know Premiere Pro accepts QuickTime MOV, but I failed to import ProRes 422 MOV to edit.
Why Premiere Pro CC won't Import ProRes 422 MOV Files?
Adobe Premiere Pro did announce to import MOV, but not all MOV files can be imported to it. From its official website, Adobe Premiere Pro supports several audio and video formats, making your post-production workflows compatible with the latest broadcast formats.
| Format | Details (Not all QuickTime codecs are supported by default. Some codecs require third party components.) |
| 3GP, 3G2 (.3gp) | Multimedia container format |
| AAC | Advanced Audio Coding |
| AIFF, AIF | Audio Interchange File Format |
| Apple ProRes | Apple video compression format |
| ASF | NetShow (Windows only) |
| ASND | Adobe Sound Document |
| AVC-Infra | Panasonic codec |
| AVI (.avi) | DV-AVI, Microsoft AVI Type 1 and Type 2 |
| BWF | Broadcast WAVE format |
| DNxHD | Supported in native MXF and QuickTime wrappers |
| DNxHR | DNxHR LB, DNxHR SQ, DNxHR TR, DNxHR HQ, and DNxHR HQX |
| DV | Raw DV stream, a QuickTime format |
| GIF | Animated GIF |
| H.264 AVC | Various media that use H.264 encoding |
| HEVC (H.265) | H.265 media with resolutions up to 8192x4320 |
| M1V | MPEG-1 Video File |
| M2T | Sony HDV |
| M2TS | Blu-ray BDAV MPEG-2 Transport Stream, AVCHD |
| M2V | DVD-compliant MPEG-2 |
| M4A | MPEG-4 audio |
| M4V | MPEG-4 video file |
| MOV | QuickTime format |
| MP3 | MP3 audio |
| MP4 | QuickTime Movie, XDCAM EX |
| MPEG, MPE, MPG | MPEG-1, MPEG-2 |
| MTS | AVCHD |
| MXF | Media eXchange Format. MXF is a container format that supports
|
| Native MJPEGs | 1DC |
| OMF | Audio Project Format |
| OpenEXR | Files in .EXR, .MXR, and .SXR formats |
| VOB | Container format in DVD media |
| WAV | Windows Waveform |
| WMV | Windows Media, Windows only |
The media formats listed below are supported for directly importing and editing with Premiere Pro CC:
ARRI AMIRA camera: Premiere Pro provides built-in support for the ARRI AMIRA camera, with appropriate color LUTs applied as master clips on import.
Canon XF, Canon RAW: You can work natively with Canon XF and Canon RAW footage, including footage from Canon Cinema EOS C300 and C500 cameras. Premiere Pro lets you import and edit QuickTime formats natively including Apple ProRes and MOV files that Canon 5D and 7D cameras capture. You can clip metadata without any transcoding, rewrapping, or logging and transferring required.
CinemaDNG: Premiere Pro lets you import and edit uncompressed CinemaDNG media from the following cameras: Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera, Convergent Design Odyssey7Q.
Panasonic AVC, P2 cameras: You can native import and edit media from the following cameras/camera codec formats: Panasonic AVC Ultra, Panasonic AVCi 200, Panasonic AVC Ultra Long GOP (Group of Pictures), Panasonic P2 cameras and across multiple P2 cards
Phantom Cine media: You can natively import and edit Phantom Cine media shot on Vision Research Phantom cameras.
RED support: Premiere Pro CC supports working natively with RED Digital Cinema (R3D) footage from the following cameras & codec formats: Color Science like REDcolor2, REDgamma2, and REDlogFilm, RED ONE, RED EPIC, RED Scarlet-X cameras with support for RED Rocket, Red Dragon including RED Dragon 6K
Sony cameras: You can import and edit media from the following cameras directly, without rewrapping or transcoding: Sony XDCAM, Sony XDCAM 50, Sony XAVC, Sony XAVC LongGOP (Group of Pictures), Sony XAVC-S, Sony SStP, Sony RAW (F65, F55, F5, FS700 cameras)
How to Successfully Import ProRes 422 MOV to Premiere Pro CC for editing?
In order to successfully import ProRes 422 MOV to edit in Premiere Pro CC, a recommended solution is to convert or change the source file to Adobe Premiere Pro CC optimized MPEG-2.
To be honest, it's not as hard as you imagine, what you need is just a video converter like Pavtube Video Converter for Mac. After downloading and installing the gorgeous video converter gadget, you can effortlessly transcode any unsupported video files to Adobe Premiere Pro CC friendly video format while keeping the excellent video/audio quality.
Apple Prores 422 Hq Codec Download Mac
More than that, it also supports fast converting any popular video formats to seamlessly suit for Avid Media Composer, Final Cut Pro, iMovie, etc to satisfy your diverse editing demands. Now don't hesitate to download it and follow the step-by-step guide to transcode ProRes 422 MOV for editing in Premiere Pro CC smoothly. The program even has the advanced editing options to lets you fine-tune the final look of your movie. It also has its equivalent version for Windows users - Pavtube Video Converter to convert ProRes 422 MOV on Windows.
Transcode and import ProRes 422 MOV to Adobe Premiere Pro CC
Prores 422 Codec For Windows
Apple Prores 422 Codec Download Mac
Step 1: Add ProRes 422 MOV video files to the program
Click the 'Load files' or 'Add video' icon to transfer ProRes 422 MOV files to the program.
Step 2: Output Premiere Pro CC optimized format
Click 'Format' bar, from its drop-down list, select 'Adobe Premiere Pro/Son...' > 'MPEG-2 (*.mpg)' to output for editing with Premiere Pro CC.
Step 3: Start ProRes 422 MOV to Premiere Pro CC conversion
Go back to the main UI, click the 'Convert' button under the video preview window to start the conversion process.
When the conversion is over, transfer the converted files in the destination that you have specified before to your local computer, then feel free to import converted ProRes 422 MOV to Adobe Premiere Pro CC to begin your great editing works.